Arabic Maqam
Maqam Rast on guitar
Also written Rást
The reference maqam of the Arabic system. Jins Rast sits on the tonic and a second Rast on the fifth degree, so the third and the seventh are both half-flat.
- Tonic: C
- Ghammaz: G
Tonic Ghammaz Between the frets Tap any note to hear it at its exact pitch.
The notes, one by one
Steps are counted in equal quarter tones of 50 cents, the usual written convention for Arabic maqam. Real intonation shifts with region, maqam and player. Pitches are given in cents above the tonic; a fretted semitone is 100 cents.
| # | Note | Above the tonic | On a standard guitar |
|---|---|---|---|
| 1 | C Tonic | 0.0¢ | On the fret |
| 2 | D | 200.0¢ | On the fret |
| 3 | E half-flat | 350.0¢ | Fret E♭, bend up 50¢ |
| 4 | F | 500.0¢ | On the fret |
| 5 | G Ghammaz | 700.0¢ | On the fret |
| 6 | A | 900.0¢ | On the fret |
| 7 | B half-flat | 1050.0¢ | Fret B♭, bend up 50¢ |
Ajnas
A maqam is built from small units of three to five notes, each with its own colour. These are the units of Maqam Rast.
-
Jins Rast
On C, 5 notes
C · D · E half-flat · F · G
-
Jins Upper Rast
On G, 4 notes
G · A · B half-flat · C
Second form: Nahawand above
Jins Nahawand takes the place of Upper Rast on the fifth degree, which lowers the seventh from B half-flat to B flat.
C · D · E half-flat · F · G · A · B♭
- Jins Rast: C · D · E half-flat · F · G
- Jins Nahawand: G · A · B♭ · C
Sayr
Jins Rast on the tonic, then a second jins from the ghammaz, G, up to the octave.
- Jins Rast establishes the maqam around the tonic, C, with its half-flat third.
- At the ghammaz, G, the melody passes into the second jins.
- That second jins is either Upper Rast, which leans up to the octave C, or Nahawand.
Example phrase
Climbs Jins Rast to rest on the ghammaz, G, goes on through Upper Rast to the octave, then comes back down to the tonic.
A short outline written for Fretwise that follows the sayr above. It is not a quotation from the repertoire. Press “Play the phrase” on the neck to hear it.
Sources
Tuning convention: 24-tone equal temperament. Intervals are written as in the source; practice varies by region and player.
How to play maqam on a standard guitar: when to bend, when to use the nearest fret
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