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Arabic Maqam

Maqam Nahawand on guitar

Also written Nahāwand, Nihavent

Jins Nahawand on the tonic followed by Jins Hijaz on the fifth degree. Jins Kurd can take the upper place instead. There are no quarter tones here: every note lands on a fret.

Where every pitch lies

Maqam Nahawand, frets 0 to 12

123456789101112 E A D G B e C D E♭ F G A♭ B C D E♭ F G A♭ B C D D E♭ F G A♭ B C D E♭ F G G A♭ B C D E♭ F G A♭ B B C D E♭ F G A♭ B

Tonic Ghammaz Between the frets Tap any note to hear it at its exact pitch.

The notes, one by one

Steps are counted in equal quarter tones of 50 cents, the usual written convention for Arabic maqam. Real intonation shifts with region, maqam and player. Pitches are given in cents above the tonic; a fretted semitone is 100 cents.

# Note Above the tonic On a standard guitar
1 C Tonic 0.0¢ On the fret
2 D 200.0¢ On the fret
3 E♭ 300.0¢ On the fret
4 F 500.0¢ On the fret
5 G Ghammaz 700.0¢ On the fret
6 A♭ 800.0¢ On the fret
7 B 1100.0¢ On the fret

Ajnas

A maqam is built from small units of three to five notes, each with its own colour. These are the units of Maqam Nahawand.

Second form: Kurd above

Jins Kurd takes the place of Hijaz on the fifth degree, which lowers the seventh from B to B flat.

C · D · E♭ · F · G · A♭ · B♭

  • Jins Nahawand: C · D · E♭ · F · G
  • Jins Kurd: G · A♭ · B♭ · C

Sayr

Jins Nahawand on the tonic, then a second jins from the ghammaz, G, up to the octave.

  1. Jins Nahawand establishes the maqam around the tonic, C.
  2. At the ghammaz, G, the melody passes into the second jins.
  3. That second jins is either Hijaz or Kurd; the choice decides whether the seventh is B or B flat.

Example phrase

Climbs Jins Nahawand to rest on the ghammaz, G, goes on through Jins Hijaz to the octave, then comes back down to the tonic.

A short outline written for Fretwise that follows the sayr above. It is not a quotation from the repertoire. Press “Play the phrase” on the neck to hear it.

Sources

Tuning convention: 24-tone equal temperament. Intervals are written as in the source; practice varies by region and player.

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